The Wrong Box is a 1966 British comedy film produced and directed by Bryan Forbes from a screenplay by Larry Gelbart and Burt Shevelove, based on the 1889 novel 'The Wrong Box' by Robert Louis Stevenson and Lloyd Osbourne.

It's Christmas Eve! Eli's full of the Christmas spirit and Nellie has to tell Lily and Walter they can't come for Christmas dinner as they are going out for theirs: "We've booked a table at the Hotel Metrollops".

In 17th. century England, Jassy is believed a witch because she has sometimes visions of approaching disasters.

When Barney Hatton, an impoverished gentry whose gambling father has lost the family home, helps her anyway she will not forget and will try to help him have his property back - at any price?

The Way Ahead - World W*r II drama that follows a group of British draftees, starting with their rigorous basic training, and ending with their deployment in North Africa.

The Way Ahead (1944)
Director: Carol Reed
Writers: Eric Ambler(original story), Peter Ustinov(screen play)
Stars: David Niven, Stanley Holloway, James Donald
Genre: Drama, War
Country: United Kingdom
Language: English, French, German
Also Known As: The Immortal Battalion
Release Date: 6 June 1944 (UK)
Duration: 114 min
Filming Location: Pirbright Army Camp, Pirbright, Surrey, England, UK

Storyline:
A group of draftees are called up into the infantry during World War II. At first, they appear to be a hopeless bunch, but their Sergeant and Lieutenant have faith in them and mould them into a good team. When they go into action in North Africa, they realize what it's all about.

Reviews:
"This is a film about a seemingly run of the mill sort of group. After the Brits were involved in WWII and saw how bad the going would be, the government was forced to draft men who would traditionally have been exempt. Men who were a bit old or involved with careers that might be deemed 'useful' to the effort were suddenly being called to duty, as times were dire. The beginning of the film shows these men being selected for service.

Unfortunately, this is a rather motley group and they tended to complain quite a bit as well (mostly by Stanley Holloway's character). How they could become a productive unit seemed pretty doubtful and I doubt if such an unimpressive group of men would have been used as actors had this propaganda film been made a few years earlier--when things looked really bad for the British. However, now that the war was appearing win-able, I can understand the choices of actors.

There is nothing particularly magical about any of the film--their selection, their training or their combat experience in North Africa. However, all of it was very well handled and excelled because they tried to make it believable--normal, everyday men rising to the occasion. In many ways, it reminded me of a landlocked version of "In Which We Serve"--with fine acting and writing instead of jingoism and super-human exploits. Very well done.

There are a few interesting actors in the film. Peter Ustinov is in his first film and he plays a French-speaking man. While his French isn't 100% fluid, it was decent and a bit of a surprise. Apparently, he was in real life David Niven's assistant in the British Army and somehow ended up in the film.

⁣It's Friday night! And the Pledges are looking forward to two wholes days without pickling... until Lily and Walter appear. Apparently their house has subsided and they've got nowhere to go.

Gaslight is a 1940 British psychological thriller film directed by Thorold Dickinson which stars Anton Walbrook and Diana Wynyard, and features Frank Pettingell.

Set in Pimlico, London, Alice Barlow (Marie Wright) is murdered by an unknown man, who then ransacks her house, looking for her valuable rubies. The house remains empty for many years, until newlyweds Paul and Bella Mallen move in. Bella (Diana Wynyard) soon finds herself misplacing small objects; and, before long, Paul (Anton Walbrook) has her believing she is losing her sanity. B. G. Rough (Frank Pettingell), a former detective involved in the original murder investigation, immediately suspects him of Alice Barlow's murder.
Paul lights the gas lamps to search the closed-off upper floors, which causes the rest of the lamps in the house to dim slightly. When Bella comments on the lights' dimming, he tells her that she is imagining things. Bella is persuaded that she is hearing noises, unaware that Paul enters the upper floors from the house next door. The sinister interpretation of the change in light levels is part of a larger pattern of deception to which Bella is subjected. It is revealed that Paul is a bigamist. He is the wanted Louis Bauer, who has returned to the house to search for the rubies he was unable to find after the murder.

After losing his brilliant new game-show formula to BBC big shot Jumbo Whiffy. Rich resorts to taking advantage of his terminally-ill father to get back into the limelight.

Back on the shop floor, chaos reigns when a surprise fire alarm practice throws the staff of Grace Brothers into panic, revealing fire precautions to be just a tad inadequate.

When wealthy Lucille Ainsworth [Ursula Howells] is found strangled on Hampstead Heath, Detective Inspector Marshall is put on the case. Lucille's husband Robert suspected her of being unfaithful, and had been following her. But he is just one of many suspects with a motive for murder.

⁣Private eyes Jeff Randall and Marty Hopkirk are gathering information to allow Fay Sorrensen to divorce her cheating husband but he murders her and makes it look like a heart attack. Marty is suspicious but is killed by a hit-and-run driver before he can prove that Sorrensen is a murderer. His white-suited ghost gets Jeff to meet him at his grave in the cemetery and they expose the murderer between them. However, Marty has been out of his grave beyond the dawn and must wander the Earth as a ghost for the next century, though only Jeff can see him.

Black Angel is a 1946 American film noir directed by Roy William Neill and starring Dan Duryea, June Vincent and Peter Lorre.

Director: Roy William Neill
Screenplay: Roy Chanslor
Based on the novel The Black Angel by Cornell Woolrich
Produced by Tom McKnight, Roy William Neill
Starring: Dan Duryea, June Vincent, Peter Lorre
Cinematography: Paul Ivano
Edit: Saul A. Goodkind
Music: Frank Skinner
Production company: Universal Pictures
Distribution: Universal Pictures
Release date: 1946
Running time: 81 minutes
Country: United States
Language: English

The Third Secret is a gripping mystery that keeps the audience on edge as they piece together the puzzle of Dr. Vance’s death. The film blends psychological drama with elements of suspense, offering twists and turns that lead to a chilling conclusion. With strong performances, particularly from Stephen Boyd and Jacqueline Pygmalion, it is a classic example of 1960s psychological thrillers. This movie is a must-watch for fans of mystery, suspense, and drama.

⁣A man fleeing the police after having committed a murder hides out in a boarding house in a small town.

In the Oxfordshire countryside Clarence returns to his moving profession working for the vicar's wife.

Changes to staffing arrangements at Grace Brothers lead to fun and games as Captain Peacock's crew end up in the toy department.

⁣After Regan's car is stolen with invaluable surveillance photos from a stakeout, the thief gives a heads-up to Sweeney's target.
Director: Terry Green
Writers: Trevor Preston, Ian Kennedy Martin
Stars: John Thaw, Dennis Waterman, Garfield Morgan

In a vein similar to the James Bond movies, British Agent Philip Calvert (Sir Anthony Hopkins) is on a mission to determine the whereabouts of a ship that disappeared near the coast of Scotland.

Travers believes looking after chickens will help her decide whether Clarence is husband material. Of course he has to build the run first.

Stars: Michael Whalen, Anne Nagel, William Bakewell
Director: Albert Herman

A Nazi spy ring is after a U.S. Army formula that increases the power of ordinary gasoline!

C Flight are initially put out when their regular routine is changed; but as it's in favour of some real training - both with guns on the ground, and on a real air flight - they quickly change their minds. Corporal Marsh, however, is far less keen with the latter endeavour.