This 1943 feature-length dramatisation follows the Royal Navy T-class submarine "Tyrant" on a routine North Sea patrol off the coast of Norway.
Like many British wartime movies, the cast of this feature film are the serving officers and crew.
It was also filmed aboard an operational submarine, offering a rare and detailed view of life in such complex, cramped quarters.

Stingray is a British children's science-fiction television series created by Gerry and Sylvia Anderson and produced by AP Films (APF) for ITC Entertainment. Filmed in 1963 using a combination of electronic marionette puppetry and scale model special effects, it was APF's sixth puppet series and the third to be produced under the banner of "Supermarionation". It debuted on British television in October 1964.

Jacko comes back from holiday with news that he is getting married to a bingo caller he met on his travels. When she shows up, everybody thinks she's after his money; in fact, Joan knows this girl to be a gold-digger--and already married. She sends the girl packing and the wedding is off. Albert thinks Jacko will jump into the canal, and everybody heads out there to stop him.

Chauvelin's scheme to capture the Countess de Monsants before she can escape to England succeeds and she and her servant fall into his trap. Sir Percy hears about it and hatches his own scheme, rescuing the Countess and her servant from under Chauvelin's nose and smuggling them to England. Outraged, Chauvelin travels to England, planning to kidnap the countess and bring her back to France. Meanwhile, the Prince has hired a Chinese decorator to remodel a wing of the palace, and Sir Percy decides to use the man in his plan to thwart Chauvelin's plot.

A man whose business is failing decides to marry his legal ward, in order to get his hands on her money. The only problem is that she is in love with a young doctor. The businessman hires a killer to eliminate his rival, but it isn't long before things begin to go wrong.

Director: W. Lee Wilder
Writers: Don Martin (original screenplay); Doris Miller (additional dialogue)

Starring: Albert Dekker, Catherine Craig, Charles Drake

Using the microphone that Klink has installed in the barracks, Hogan tricks Klink into contacting an underground member.

Full Western Movie, Full Length Cowboy Film, English: (1958)
The Bravados (original title), 1h 38min, Drama, Western.

The Bravados is a 1958 American western film (colour by DeLuxe) directed by Henry King, starring Gregory Peck and Joan Collins. The CinemaScope film was based on a novel of the same name, written by Frank O'Rourke.

A man is chasing four outlaws who killed his wife and finds them in a small town's jail but they escape to Mexico.

Director: Henry King
Writers: Philip Yordan (screenplay), Frank O'Rourke (novel)
Stars: Gregory Peck, Joan Collins, Stephen Boyd

Watch Three Came Home (1950) Full Movie on The Film Detective. Three Came Home is the dramatic screen adaption of Agnes Newton Keith's war-time prison memoir. Separated from her husband, Keith (Claudette Colbert) and her young son must survive in captivity until the end of the war. The realistic and harrowing film was directed by Oscar nominee Jean Negulesco, and features former Japanese silent screen star Sessue Hayakawa as the stern camp commandant Colonel Suga. "It will shock you, disturb you, tear your heart out," wrote the NY Times' Bosley Crowther. "But it will fill you fully with a great respect for a heroic soul."

Director: Jean Negulesco
Writers: Nunnally Johnson, Agnes Newton Keith
Starring: Claudette Colbert, Patric Knowles, Florence Desmond

The Ruling Class is a 1972 British black comedy. It is an adaptation of Peter Barnes' satirical stage play The Ruling Class which tells the story of a paranoid schizophrenic British nobleman (played by Peter O'Toole) who inherits an Earldom (a high-ranking aristocratic title).

The film co-stars Alastair Sim, William Mervyn, Coral Browne, Harry Andrews, Carolyn Seymour, James Villiers and Arthur Lowe. It was produced by Jules Buck and directed by Peter Medak.In a review nearly 30 years after The Ruling Class was first released, critic Ian Christie said the film is "unashamedly theatrical, and it emerges from a particularly interesting period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.


Many stage works of this period cry out for filmic extension—in fact, Medak had just filmed a very different play that mingled fantasy and reality by a writer often bracketed with Barnes, Peter Nichols’ A Day in the Death of Joe Egg. But what makes The Ruling Class exceptional (and difficult for some) are its outrageous mixing of genres and its sheer ambition. Not only are there allusions to Shakespeare and Marlowe, but also to Wilde and Whitehall farce; to the gentility of Ealing Studios, with a plot that distantly evokes that other great black comedy Kind Hearts and Coronets, and to Hammer's gore-fests.

When a family visits Grandma's house on Christmas Eve, they leave their dog at home alone. And when burglars try to take the presents from under the tree, the dog must use every trick it knows to stop them.
(2013)